博物馆展览照明设计的意境表达——以《天路文华——西藏历史文化展》为例Artistic Conception Expression of Museum Exhibition Lighting Design——Taking the “Tibetan History and Culture” Exhibition as An Example
倪翀;索经令;
NI Chong;SUO Jingling;Capital Museum;
摘要(Abstract):
博物馆展览照明设计,除了遵循安全、舒适的原则外,还应将"意境"的概念融入到设计中,借助光创造的视觉特性,呈现展览和展品的文化意蕴,营造出具有艺术效果和感染力的展览。本文以首都博物馆举办的《天路文华——西藏历史文化展》为例,阐释表现博物馆展览意境的照明设计的思路和理念。
In the design of museum exhibition lighting,it is necessary to follow the principle of safety and comfort. Besides the above principles,the concept of "artistic conception"is also usually applied in the design. The vision created by light is used to present the cultural connotation of exhibitions and exhibits,and to create an exhibition with artistic effects and appeal. This article takes the "Tibetan History and Culture"Exhibition held by the Capital Museum as an example to specify the ideas and concepts of lighting design of the exhibition.
关键词(KeyWords):
照明设计;意境;视知觉;博物馆;展览
lighting design;artistic conception;visual perception;museum;exhibition
基金项目(Foundation):
作者(Authors):
倪翀;索经令;
NI Chong;SUO Jingling;Capital Museum;
参考文献(References):
- [1]刘禹锡.刘禹锡集.北京:中华书局,1990:238.
- [2]王昌龄.诗格//张伯伟.全唐五代诗格汇考.南京:江苏古籍出版社,2002:172-173.
- [3]大师系列丛书编辑部.安藤忠雄的作品与思想.北京:中国电力出版社,2005:12.
- [4]博物馆照明设计规范:GB/T 23863—2009.北京:中国标准出版,2009.
- [5]贡布里希E H.艺术与错觉——图画再现的心理学研究.杨成凯,李本正,范景中,译.南宁:广西美术出版社,2012:46.
- [6]阿恩海姆.艺术与视知觉.滕守尧,朱疆源,译.北京:中国社会科学出版社,1984.
- [8]胡塞尔.纯粹现象学通论:纯粹现象学和现象学哲学的观念(第一卷).李幼蒸,译.北京:商务印书馆,1992.
- [9]《大宝积经》卷六十文殊师利授记会.